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Rome century, creating new wave of fashion underwear

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Fashion is not monclearfollowed, not imitation, but for themselves, reflect the characteristics of their own to maintain self-confidence - this is life, fashion, and as a stylish men's underwear brand ROMA CENTURY thrust of thinking in product development is also true. Original always uphold the spirit of product design, and original purpose was not merely the pursuit of form different, unconventional. ROMA CENTURY with ergonomic standard to fashion-oriented elements to create brand personalized design style to lead the trend in the marketplace.
ROMA CENTURY product design to meet the ergonomic, because conservation of the human body is one of the most basic underwear product requirements, ROMA CENTURY is the result of all of the new model has repeatedly tried to test before they can be put into production. In the design of new elements into this new element can be reflected in the fabric of innovation and technology innovation can be either version of the innovative structure, the color of innovation and so on.
Fabric is to achieve the comfort index underwear clothing, underwear clothing comfort index guided Khan guided mainly wet, breathable moisture permeability, thermal flexibility, resilience wrinkle, anti-pilling and so on. To determine nfl hats the language with the public, "Dongnuanxialiang", "sunstroke warm", "water vapor permeability," "wash wrinkle," "excellent soft touch" is a good comfortable clothing. ROMA CENTURY fabric products are: DuPont's Lycra (LYCRA), Microfiber Microfiber, Viloft fiber, chitin antibacterial fiber, Tencel (Tencel) fabric, etc., either comfort or functionality within both live line the first column. These fine fabrics combined with exquisite craftsmanship, the details better reflect the product quality. men ed hardy T-shirts

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The first fashion designer who was not merely a dressmaker was Charles Frederick Worth (1826–1895). Before the former draper set up his maison couture (fashion house) in Paris, clothing design and creation was handled by largely anonymous seamstresses, and high fashion descended from styles worn at royal courts. Worth's success was such that he was able to dictate to his customers what they should wear, instead of following their lead as earlier dressmakers had done.

It was during this period that many design houses began to hire artists to sketch or paint designs for garments. The images alone could be presented to clients much more cheaply than by producing an actual sample garment in the workroom. If the client liked the design, they ordered it and the resulting garment made money for the house. Thus, the tradition of designers sketching out garment designs instead of presenting completed garments on models to customers began as an economy.


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